Clarence “Gatemouth” Brown is a blues musician who was inducted into the Blues Hall of Fame in 1984. He has been called “the greatest living bluesman” and “one of the most influential figures in the history of American music.”
Clarence Gatemouth Brown is an American blues musician, singer and guitarist. He was born in Mississippi to sharecroppers on September 11th, 1915. His father died when he was young and his mother remarried.
Do not refer to multi-instrumentalist Clarence “Gatemouth” Brown as a bluesman, despite his significant influence on the development of Texas blues. You’re going to irritate him. If you had to put a label on the legend, call him an eclectic Texas musical maestro whose tastes span almost every roots genre.
Brown grew raised in Orange, Texas, where he learnt the importance of flexibility. His father was a well-known musician in the area, specializing in country, Cajun, and bluegrass, but not blues. Count Basie, Lionel Hampton, and Duke Ellington’s big bands later captivated Gate (a fiery version of “Take the ‘A’ Train” remains a highlight of Brown’s repertoire). Brown was given the nickname “Gatemouth” by a high school teacher who accused him of having a “voice like a gate,” which he has used throughout his successful career. (Jax recorded “Boogie Woogie Nighthawk” in 1951 with his guitar-wielding brother, James “Widemouth” Brown.)
Gate’s unexpected replacement for a sick T-Bone Walker at Houston entrepreneur Don Robey’s Bronze Peacock nightclub in 1947 persuaded Robey to take over Brown’s career. Robey founded his own Peacock label in 1949 to promote Brown’s blazing riffs, which influenced a generation of Houston string benders (Albert Collins, Johnny Copeland, Johnny “Guitar” Watson, Cal Green, and many more have sworn loyalty to Brown’s riffs). Throughout the 1950s and 1960s, Peacock and its sibling label Duke thrived.
Gate remained with Peacock until 1960. Brown’s significance was not reflected on the R&B charts (he only had one countrywide success with the two-sided smash “Mary Is Fine”https://www.allmusic.com/”My Time Is Expensive” in 1949). His blazing instrumentals (“Boogie Uproar,” “Gate Walks to Board,” 1954’s landmark “Okie Dokie Stomp”), horn-enhanced rockers (“She Walked Right In,” “Rock My Blues Away”), and bluesy Lone Star blues (“Dirty Work at the Crossroads”) are all part of the rich Texas postwar blues heritage. Even in the 1950s, Brown persisted on sawing his fiddle during live performances, despite Robey’s lack of interest in capturing Gate’s violin skill until “Just Before Dawn” (his final Peacock platter in 1959).
Brown didn’t have it easy in the 1960s. In 1965, he created a small stir with his version of Little Jimmy Dickens’ country novelty “May the Bird of Paradise Fly Up Your Nose” for tiny Hermitage Records (and presaged things to come stylistically). Brown’s 1966 tenure as house bandleader for The!!!!Beat, a pioneering syndicated R&B television show presented by WLAC DJ Bill “Hoss” Allen, was the highlight of the decade.
When Gate relaunched his career in the 1970s, he was adamant about doing things his way. Country, jazz, and even calypso grew more prevalent in his performances, and he was just as likely to start playing an old-time fiddle hoedown as a swinging guitar blues. After recording a scorching 1979 duet album for MCA, Makin’ Music, he appeared on Hee Haw with pickin’ and grinnin’ buddy Roy Clark. Gatemouth Brown’s critically acclaimed albums on Rounder, Alligator, Verve, and Blue Thumb in the 1980s, 1990s, and 2000s proved that he is a stubbornly unclassifiable American original. Gatemouth Brown died in Orange, Texas on September 10, 2005.
Clarence Gatemouth Brown is a blues guitarist and singer from Mississippi. He was born on September 15, 1906 and died on June 30, 1983. His music career spanned over 70 years and he released more than 40 albums. Reference: clarence gatemouth” brown long way home.
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Clarence Gatemouth Brown was born in 1883 in the US. He was a singer and songwriter who wrote many songs, including Goodbye, Old Paint and Crazy Blues.
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