The French singer, songwriter and actress was a pioneer in the 1960s. Her songs were sung not just by herself, but also by Jacques Brel, Barbara Streisand and Connie Francis. She is also known for being one of France’s most successful recording artists ever with over 100 million records sold worldwide., Françoise Hardy Biography

The “françoise hardy songs” is a biography of French singer Françoise Hardy. She was born in Paris on the 17th of November 1938 to an American father and a French mother. The biography includes her songs and albums, including her most famous hit “Amoureuse.”

Françoise Hardy Biography, Songs, & Albums |

Françoise Hardy is a French national treasure and a pop and fashion star. She was one among the first and most influential French participants in the yé-yé movement, with her characteristic breathy alto (a style of pop music that initially emerged from Italy, Switzerland, Spain, and Portugal before spreading to France in the early 1960s). She is one of the rare female singers that can and will compose and deliver their own songs. In the early 1960s, she provided a striking contrast to the boy’s club of French pop, opening the way for literally hundreds of women all over the world. Hardy’s debut hit, “Tous Les Garçons et les Filles,” sold over two million copies and catapulted her to stardom in Europe overnight. Hardy made a name for herself as a fashion model, actor, astrologer, and author in addition to music. Though she has produced songs in a variety of languages, it was her early French songs, which included pop, jazz, blues, and other genres, that cemented her reputation as a legend. She reinvented herself as an artist in the 1970s, moving beyond teen-friendly music to cover songs by everyone from Leonard Cohen to Patrick Modiano, and has remained a grande dame of French popular song ever since.

In 1944, Hardy was born in Paris. Her sister and she were reared by a single mother who worked as an accountant’s assistant for a pittance. Money was always a scarce resource. Her absent father gave her a guitar when she graduated from high school; he had to be persuaded by her mother to buy it. She was greatly inspired by French chanson as a teenager, particularly the music of Charles Trenet and Cora Vaucaire. She was also inspired by the music of English-speaking artists such as Paul Anka, the Everly Brothers, Elvis Presley, Cliff Richard, and Connie Francis, thanks to Radio Luxembourg’s widespread influence. She responded to a newspaper advertisement seeking young vocalists while studying political science and Germanic languages at the Sorbonne. Hardy did not pass her initial audition, but she was encouraged to try again. She auditioned for the French Vogue label a few months later and got her first recording deal with them at the end of 1961. She was 17 years old at the time. She dropped out of university in April of the following year and published her debut album, “Oh Oh Chéri,” composed by Johnny Hallyday’s creative team. “Tous Les Garçons et les Filles” was her own song on the reverse. The single was a hit, selling over two million copies, riding the emerging French wave of yé-yé brought to the nation by composer Serge Gainsbourg. With “L’amour s’en Va,” she placed fifth (for Monaco) in the Eurovision Song Contest in 1963 and was awarded the Grand Prix du Disque. She was soon on the cover of almost every major music publication. Hardy met photographer Jean-Marie Perier while working on a picture shoot for a magazine, and he changed her image from timid schoolgirl to cultural trend setter. Not only did he become her boyfriend, but he also had the biggest impact on her early career. Perier encouraged Hardy to model after their shot established her as a fashion icon as well as a music star. He was able to convince renowned designers such as Paco Rabanne, Chanel, and Yves Saint-Laurent to accept her as a model because of her status in pop music. She was given a leading part in Château en Suède by French filmmaker Roger Vadim; the experience only enhanced her national fame, but her passion was in music, not filmmaking. She made her debut as an opening act for yé-yé singer Richard Anthony at the L’Olympia Theatre in Paris in 1963. She was the star of the show. Her first album, which served as a kind of umbrella over her songs, was a huge success, winning both the Prix de l’Académie Charles-Cros and the Trophée de la Télévision Française. In 1965, she attempted another film, this time Une Balle Au Cur by Jean-Daniel Pollet. Her performance, which was released in February of 1966, was praised by reviewers and spectators alike. Hardy’s reputation as a vocalist grew across Europe, and she quickly found herself hanging out with everyone from the Beatles and Mick Jagger to Bob Dylan (who once refused to perform his second set at L’Olympia until she arrived). Between 1962 and 1968, she released eleven albums, rapidly becoming her country’s most exportable pop singer.

Ma Jeunesse Fout Le Camp Perier and Hardy terminated their relationship in 1967, when the pressures of a jet-set lifestyle began to wear them down. She did, however, meet and fall in love with composer and pop sensation Jacques Dutronc the same year, and the two married in 1981. She recorded her second album, Ma Jeunesse Fout L’Camp, in 1968, shortly before the curtain dropped on yé-yé in France, after huge whirlwind tours of Europe. She performed a farewell performance at London’s famous Savoy in the same year, and seemed to retire from the stage to focus on her recording career. This sparked a feud with her label, which led to a legal fight from which she emerged victorious but cautious of any future commercial interactions. Hardy deliberated about her next move. She recorded the German-language Träume for United Artists in 1970 as a tribute to her admirers in Switzerland and Germany. But that was just a temporary solution. Her self-titled album for Sonopress in 1971, created in cooperation with female Brazilian guitarist Tuca and including the songs “Chanson d’O” and “La Question,” was her first mature release and included the hits “Chanson d’O” and “La Question.” Despite its financial failure, it is the singer’s favorite track and the one that established her as a cultural impact on subsequent generations. She didn’t mind the low sales since she saw it as an aesthetic accomplishment, and history has proved her right. The new decade also aided Hardy’s development as a budding professional astrologer. She gave birth to a son with Dutronc in the summer of 1973. Surprisingly, the couple did not live together until after their kid was born, despite the fact that they were not yet married.

Message Personnel Late in the year, Hardy signed with Warner Brothers in North America and began recording Message Personnel with producer Michael Berger. Despite their numerous disagreements throughout the recordings, the album’s title track single became one of her most popular songs. For Entr’Acte, she collaborated with French violinist, composer, and vocalist Catherine Lara and English producer Del Newman in the spring of 1974. Although the album was only a modest financial success, it has subsequently become one of her most popular among fans. In 1974, Hardy dropped out of fashion and took a two-year hiatus from music to focus on becoming a mother. She did compose and perform “Que Vas-Tu Faire” for Claude Lelouch’s film Si C’est à Refaire’s soundtrack. (Jean-Michel Jarre orchestrated it.)

Star Hardy met Gabriel Yared, a huge admirer of her music, via a mutual acquaintance. For her, he promised to create and arrange a new record. The set, named Star, was a financial and critical triumph, including great songs by herself, Michel Jonasz, Gainsbourg, William Sheller, Janis Ian, and Lara. Star, released by Pathé-Marconi, showed a different side of the singer, introducing her to a new generation of admirers. The album was a huge success, bringing Hardy back to the forefront of French popular music. J’Ecoute de la Musique Saoule (1978), Gin Tonic (1980), and A Suivre (1981) were among the four very successful albums the singer and producer/arranger collaborated on (1982, that was also the first of her albums to feature the talents of songwriter Jean Claude Vannier). “Tamalou” and “Villégiature” were two of the album’s chart-topping singles. Fans have contended for decades that if Hardy had continued touring, the record would have been much more popular, but she was considerably more interested with astrology and motherhood. She only issued two new singles during the following two years, while her company concentrated on compilations. Décalage was her first album, released in 1988. Her words were set to music by famous writers including William Sheller, Etienne Daho, and hubby Dutronc, and it was announced as her last recording. Surprisingly, although it has now gained a reputation as one of her best albums, it was met with relatively lukewarm reviews at the time. Fans, it seems, had high expectations for a spectacular finale.

WWF: Urgence Climat Her retirement lasted just a few months. In 1992, she collaborated with composer Alain Lubrano, a young singer/songwriter from the south of France, on the duet “Si Ca Fait Mal.” The song was removed for the AIDS fund-raising compilation CD Urgence since it dealt with love, sex, and AIDS. Later, she re-recorded it as one of her own singles, collaborating with Lubrano once again. Hardy signed with Virgin Records in 1995. Her debut with the label, Le Danger, was released in 1996 and cemented her status as a pop artist in the United Kingdom at the age of 52. All 13 tracks were co-written by Hardy with Lubrano and Rodolphe Burger (Kat Onoma). Hardy rebuilt her style as a completely contemporary type of indie pop, inspired by the alternative music movement, particularly the music of Portishead. The album was a huge hit; she made appearances on BBC radio and television, as well as on John Peel’s show, and ultimately guested on Malcolm McLaren and Blur’s albums.

Clair Obscur In 2000, Hardy ushered in the new century with her second Virgin album, Clair-Obscur. The performance included songs by composers as diverse as Django Reinhardt, Lubrano, and Daho, as well as Eric Clapton and Don Everly. It also included a pair of highly acclaimed duets with Dutronc and Iggy Pop in “Puisque Vous Partez en Voyage” and “I’ll Be Seeing You.” Tant de Belles Choses was released in 2004 and included songs by Lubrano, Benjamin Biolay, Thierry Stremler, and Jacno (Denis Quilliard of Stinky Toys fame). She also sought the help of Ben Christophers, an English singer/songwriter, and Perry Blake, an Irish songwriter. Thomas Dutronc, her son, produced and/or played guitar on four of the songs. She released Parenthèses, a compilation of duets using songs from her back repertoire, two years later. Alain Bashung, Biolay, Rodolphe Burger, Maurane, Arthur H, and French cinema actor Alain Delon were among her colleagues. She also made a first by recording alongside her husband and kid at the same time. The first big single from the album was Julio Iglesias’ rendition of “Partir Quand Même.” Hardy had lots of time off from traveling to pursue interests other than music and astrology, such as writing. Her memoir, Le Désespoir des Singes et Autres Bagatelles (The Monkey’s Despair and Other Trifles), was published in 2008 by Editions Robert Laffront. The book quickly became a best-seller. Hardy, on the other hand, did not rest and released the album La Pluie Sans Parapluie in 2010. All of the lyrics were written by her, and she worked on the music alongside Lubrano, Ben Christophers, Pascale Daniel, Stremler, and others. Rather than the cold, sardonic humor and sadness that had been her hallmark, this performance gave listeners a more sympathetic and personal picture of the singer. Hardy commemorated her 50th anniversary in music two years later with both a book (her first) and an album, both titled L’Amour Fou. She was also fighting lymphatic cancer at the time, thus it was her last record. She wrote all of the lyrics this time, with help from Stremler, Calogero, Benoît Carré (Lilicub), and Julien Doré on the music side. The recording was co-produced by Dominique Blanc-Francard and Bénédicte Schmitt.

Personne d'Autre While Hardy’s post-millennial output hasn’t broken any sales records, almost all of her albums have done well enough to keep her financially viable and add to her reputation. The singer was missing for almost five years following the publishing and distribution of L’Amour Fou. She got sick after it was released and spent eight days in a coma while receiving chemo. She had little to no interest in recording again while recuperating and undergoing therapy — that is, until she heard the Finnish band Poets of the Fall’s song “Sleep.” Erick Benzi (Celine Dion), the producer and lyricist, was blown away by her performance. He responded by sending Hardy many of his own tunes, prompting her to write lyrics for them. La Grande Sophie (Sophie Huriaux), a French indie songwriter, sent Hardy the song “Le Large” after she had resumed writing. Pascale Daniel and Yael Naim, who wrote “You’re My Home,” were among the other composers who contributed. When Hardy started recording with Benzi, the sessions went off without a hitch, and the album Personne d’Autre was born. The full-length was released in Europe and the United States in April of 2018. It was preceded by the song “Le Large,” which was also released as a video directed by François Ozon.

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The “françoise hardy 2021” is a biography, songs, and albums. Françoise Hardy was born on December 9, 1921 in Paris, France. She is the daughter of Maurice Hardy, who was an actor and the niece of the famous actress Juliette Récamier. Her mother died when she was only five years old.

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