G.G. Allin’s life was one of excess and controversy, but he also left behind a legacy of hardcore punk that inspired generations to follow him on the road of self-destruction. Find out about his criminal career, death, and why he is still considered an icon today

The “gg allin death photos” is a biography, songs, and albums of the late G.G. Allin.

To some, G.G. Allin was the epitome of rock & roll rebellion, pushing the genre to new heights that no one else dared to go. Others dismissed him as a madman whose efforts to shock and disgust were much too clumsy to be taken seriously. Regardless of the facts, Allin was without a doubt the most magnificent degenerate in rock & roll history. His violent, scatological stage performance, which landed him in over 50 arrests for a variety of crimes and made Iggy Pop’s antics with the Stooges seem like The Donny & Marie Show, was virtually incidental to his music. Allin usually took the stage in a jockstrap and wound up nude; he beat himself bloody with broken bottles, torn cans, and microphones (when he wasn’t trying to shove the latter up his own ass); he attacked and was attacked by his own audience; he urinated on the stage, on his band, and on the audience; he frequently took laxatives. Needless to say, he drank and used a lot of drugs, spent time in jail, and even threatened to commit himself on stage on Halloween (he died of an overdose in 1993 before he could follow through). His songs were hilariously over-the-top hell-raisers about drug addiction, casual violence, and sexual behavior that was at best humiliating and at worst illegal. Regardless of who he was, Allin had fans, whether they were from the margins of society, appreciated his total freedom of speech, or were just intrigued by the sight of a man unleashing all the ugliest, most primitive urges of the human psyche.

Allin’s discography, like his life, is a jumbled mess, with numerous reissues, anthologies, and live shows complicating the issue and making it impossible to identify where any particular track listing originated at a glance. His music seldom deviates beyond basic, thrashy, three-chord punk, and his once-adequate voice has been rendered tuneless and harsh by years of abuse. Fan favorites include “I’m Gonna Rape You,” “Expose Yourself to Kids,” “Bite It You Scum,” “Outlaw Scumfuc,” “Gypsy Motherfucker,” “Suck My Ass It Smells,” “Die When You Die,” and “Young Little Meat.” Allin recorded on a variety of tiny labels and with a variety of bands, including the Jabbers, Scumfucs, Holy Men, Antiseen, Murder Junkies, and others; some were his own, while others were one-off collaborators. Naturally, keeping a consistent group behind Allin was tough, but he had many fans who wanted to collaborate with him and/or distribute his music, including some unexpectedly famous names in the underground rock scene (J Mascis, Thurston Moore, Dee Dee Ramone, Wayne Kramer, future Matador head Gerard Cosloy, etc.).

Many of Allin’s friends worried about the potential of a split personality, a guy who would swing suddenly between politeness and violence, intellect and incoherence, egomania and self-loathing. And if Allin wasn’t a clinical sociopath, he was probably very near, based on his public image and interviews. Even in his most meandering diatribes, he appeared to have a clear philosophy and a sense of what he was doing and why he was doing it, seeing himself as the rescuer of true rock & roll. (Some speculated that he ultimately began to take his shock-value lyrics seriously, perhaps acting them out to demonstrate his sincerity.) Whether or not Allin’s style and work should be taken seriously, it’s certain that the threat was very genuine.

Although Allin denied that his upbringing had a major impact on who he became, it’s impossible to believe that his father had no influence. He was a very religious, antisocial guy (albeit not physically violent, according to G.G.) who had visions about his son, Jesus Christ Allin, when he was born on August 29, 1956, in Lancaster, New Hampshire. (Allin’s brother and future bandmate Merle mispronounced “Jesus” as “Je-Je,” earning him the moniker “Je-Je” for the rest of his life.) Allin’s father banned any discussion after dark, dug the family’s graves in the basement, and threatened to commit himself and take them all with him. G.G.’s mother had him officially renamed Kevin Michael Allin when he began school, and she divorced Allin’s father many years later.

G.G. fell in love with rock & roll and learnt to play the drums after being allowed to listen to the radio. From junior high on, G.G. was a misfit and a rebel; he was put in special ed courses and was held back one year, and he rebelled by sometimes turning up to school in drag. While still in school, he and his bassist brother Merle performed in many bands together, and G.G. found his propensity for confrontational theatrics early on, but they couldn’t compare to his later stage performance. He was married for many years and had a daughter when he found punk music in the late 1970s, and he played drums in a band called Malpractice. He ultimately left his family and took up with a 13-year-old girl. Musically, he joined a band named the Jabbers, which had a following in Manchester, New Hampshire’s pub scene.

Always Was, Is, and Always Shall Be For the New York-based indie label Orange, Allin and the Jabbers recorded their first album, Always Was, Is, and Always Shall Be, in 1980. Allin’s music was a pretty catchy mix of hardcore punk and power pop at this point, and he could carry a song in a sufficiently snotty punk rock voice. Although he had a strong sexist tendency from the outset, his subject matter was rarely severe (even if he generally hated everyone else too). In 1981, he released a one-off single with the Motor City Badboys, which featured guitarist Wayne Kramer and MC5 drummer Dennis Thompson. In 1982 and 1983, Orange released two EPs, Public Animal #1 and No Rules, with the former including arguably his best-known early song, “You Hate Me and I Hate You.” The Jabbers split up in 1984, owing to Allin’s increasingly violent stage antics.

Eat My Fuc Allin moved to Boston with his brother Merle and temporarily fronted the Cedar Street Sluts before establishing the Scumfucs. In 1984, he established his own Blood label to release Eat My Fuc, an album with an otherwise unsuitable title (later dubbed E.M.F. when reissued). Eat My Fuc, as the title suggests, marked the beginning of Allin’s deranged lyrics. Several EPs followed, including Hard Candy Cock, I Wanna Fuck Your Brains Out, and Live Fast, Die Fast, and Allin’s live performance quickly became one of the most feared (or acclaimed, depending on your point of view) concert experiences in the Northeast during the following several years. He was a very divisive character in the punk scene, and it’s no surprise that getting concerts became more difficult for him, particularly after a 1986 Village Voice story about an infamous performance at New York City’s Cat Club (reportedly the first time he defecated on-stage).

Hated in the Nation Hated in the Nation, a collection released by ROIR in 1987, became a cornerstone of the Allin catalog for the sole fact that it remained in print. The Scumfucs, the New York Superscum (an all-star combo including J Mascis, Gerard Cosloy, and Shimmy-Disc label boss Kramer), the Cedar Street Sluts, and the Motor City Badboys performed early recordings and live shows. That year, Cosloy’s Homestead label signed Allin and released You Give Love a Bad Name, his album with the Holy Men. Freaks, Faggots, Drunks & Junkies, his second album for Homestead, was a fan favorite that debuted some of the most popular songs in his subsequent repertoire. Allin was supposed to perform on the contentious Morton Downey Jr. Show that year, but he never showed up; he and his band destroyed their hotel room and were jailed.

Anti-Social Personality Disorder: Live Allin initially announced his notorious plan to kill himself on live on Halloween night 1990 in 1989. Anti-Social Personality Disorder – Live, a dreadful concert CD, was taken from his tour that year, which terminated in Michigan when he was jailed for assault. Allin had taken up with a young lady who had demanded (according to Allin) a series of cruel sex practices over many days, but she turned him in when he attempted to wake her up by burning her leg with a cigarette lighter when she was intoxicated. Allin was sentenced to 18 months in prison after pleading no guilty to counts of aggravated assault with intent to mutilate. During this period, vintage Allin work emerged on a number of labels, the most notable of which being Doctrine of Mayhem, released in 1990.

Allin jumped parole to join the Murder Junkies, a band that included drummer Donald “Dino” Saches (who played in the nude and had done time for indecent exposure), guitarist Bill Weber, and bassist Merle. Todd Phillips, an NYU film student, recorded the first portion of the trip (who would go on to direct mainstream comedies like Road Trip and Old School). Phillips partially funded the completed film Hated by selling Allin posters created by G.G.’s pen buddy, John Wayne Gacy (whose work also graced the cover of the accompanying soundtrack album). On the tour, Allin was detained numerous times, the most recent in Texas, when police found he had violated his parole (by this time, he had outstanding warrants in several other states as well). He was extradited to Michigan, where he was sentenced to additional years in the Jackson State Penitentiary.

Brutality and Bloodshed for All Allin returned from jail in 1993, still saying he would commit himself on stage on Halloween, more eager than ever to wreak his revenge on society. Brutality and Bloodshed for All, his latest album for the Alive label, adds revolutionary (though rather inarticulate) ideology to his usual subject matter. With the help of cameraman Evan Cohen, he and the Murder Junkies embarked on a new tour (who would later write the book I Was a Murder Junkie: The Last Days of G.G. Allin about the experience). Allin also made the rounds on talk shows, appearing on Jerry Springer and a few others (he’d earlier said on Geraldo that his bodily fluids were “a communion with the people”). Allin traveled to New York in June to see the premiere of Phillips’ documentary, Hated. He performed a performance at the Gas Station bar a few nights later, which ended with fans rioting in the streets and Allin fleeing the cops nude and on foot. He went to a friend’s Lower East Side flat and drank and used heroin there. Allin was discovered dead of an overdose on June 28, 1993, a typical rock & roll death for a rock & roller who was everything but normal. After a spectacular funeral in Littleton, NH, he was buried, leaving perhaps the most revolting legacy in rock history.

G.G. Allin was an American punk rock musician, who is considered to be one of the most influential musicians in the history of hardcore punk and heavy metal music. He released a total of four studio albums, two live albums, three compilation albums, and many singles during his career. His lyrics were often controversial and he has been cited as an influence by artists such as Marilyn Manson, Henry Rollins, David Bowie, Lemmy Kilmister, Iggy Pop and Ted Nugent. Reference: gg allin net worth.

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