Janet Jackson is an American singer, songwriter, dancer and actress. She has had a successful career spanning the pop genres of R&B, disco, dance-pop and now contemporary R&B with urban influences. Her album sales are estimated to be over 200 million worldwide in music sales as well as 180 million records sold since 1979.

Janet Jackson is an American singer, songwriter, dancer and actress. She has been referred to as the “Queen of Pop” for her contributions to popular music. Her 1986 album “Control” is listed on Rolling Stone’s 500 Greatest Albums of All Time. Read more in detail here: janet jackson songs.

Janet Jackson Biography, Songs, & Albums |

Control Janet Jackson didn’t merely emerge from the shadows of her famous brothers to become a superstar in her own right. Starting with her breakout 1986 album Control, she became one of the biggest pop stars of the ’80s. Through the early 2000s, she was able to maintain her stature with impeccable quality control and stylistic evolution. Her singles, expertly crafted with indelible pop hooks and state-of-the-art production, consistently set or kept up with trends in contemporary R&B, demonstrated by an exceptional run of Top 20 R&B singles that spans over 30 years. From platinum album to platinum album, Jackson’s image smoothly shifted as it projected power and independence. In turn, she inspired the likes of TLC, Aaliyah, Beyoncé, Britney Spears, and Rihanna, all of whom learned a few things from her recordings, videos, and performances.

Dream Street Janet Damita Jo Jackson was born May 16, 1966, in Gary, Indiana. She was the youngest of nine children in the Jackson family, and her older brothers had already begun performing together as the Jackson 5 by the time she was born. Bitten by the performing bug, she first appeared on-stage with the Jackson 5 at age seven, and began a sitcom acting career at the age of ten in 1977, when producer Norman Lear selected her to join the cast of Good Times. She remained there until 1979, and subsequently appeared on Diff’rent Strokes and A New Kind of Family. In 1982, pushed by her father into trying a singing career, Jackson released her self-titled first album on A&M. “Young Love,” written and produced by René & Angela and Rufus’ Bobby Watson, reached number six on Billboard’s R&B chart, but the album didn’t cross into the pop market. She was cast in the musical series Fame in 1983. The following year, she issued her second album, Dream Street, which didn’t sell as well as its predecessor. Upon turning 18, Jackson rebelled against her parents’ close supervision and eloped with a member of another musical family, singer James DeBarge. However, the relationship quickly hit the rocks and Jackson moved back into her parents’ home and had the marriage annulled.

Jackson took some time to rethink her musical career, and her father hired her a new manager, John McClain, who isolated his young charge to train her as a dancer (and make her lose weight). McClain hooked Jackson up with producers/writers Jimmy Jam and Terry Lewis, whom she’d seen perform as members of the Minneapolis funk outfit the Time. Jackson collaborated with Jam and Lewis on most of the tracks for her next album, Control, which presented her as a confident and tough-minded artist (with a soft side and a sense of humor) taking charge of her life for the first time. In support of Jackson’s new persona, Jam and Lewis crafted a set of polished, computerized backing tracks with slamming beats that owed more to hard, hip-hop-tinged funk and urban R&B than Janet’s older brother Michael’s music. Control became an out-of-the-box hit, and eventually spun off six singles, the first five of which — “What Have You Done for Me Lately,” the catch phrase-inspiring “Nasty,” the number one “When I Think of You,” the title track, and the ballad “Let’s Wait Awhile” — hit the Top Five on the Billboard Hot 100. Jackson was hailed as a role model and Control eventually sold over five million copies, establishing her as a pop star. It also made Jam and Lewis, whose considerable accomplishments were previously limited to the R&B world, a monstrously in-demand pop production team.

Rhythm Nation 1814 For the hotly anticipated follow-up, McClain wanted to push Jackson toward more overtly sexual territory, to which she objected strenuously. Instead, she began collaborating with Jam and Lewis on more socially conscious material, which formed the backbone of 1989’s Rhythm Nation 1814 (the “1814” purportedly stood for either the letters “R” and “N” or the year “The Star-Spangled Banner” was written). Actually, save for the title track, most of the album’s singles were bright and romantically themed. Four of them — “Miss You Much,” “Escapade,” “Black Cat,” and “Love Will Never Do (Without You)” — hit number one, and three more — “Rhythm Nation,” “Alright,” and “Come Back to Me” — reached the Top Five, making Jackson the first artist ever to produce seven Top Five hits off one album (something not even her brother Michael had accomplished). Aside from a greater use of samples, Rhythm Nation’s sound largely resembled that of Control, but was just as well-crafted, and listeners embraced it enthusiastically, buying over five million copies in the U.S. alone. Jackson undertook her first real tour (she’d appeared at high schools around the country in 1982) in support of the album and it was predictably a smashing success. In 1991, Jackson capitalized by jumping from A&M to Virgin for a reported $32 million, and also secretly married choreographer and longtime boyfriend René Elizondo.

Mo' Money Once on Virgin, Jackson set about revamping her sound and image. Her 1992 duet with Luther Vandross from the Mo’ Money soundtrack, “The Best Things in Life Are Free,” was another major R&B hit and reached the pop Top Ten. The following year, she also resumed her acting career, co-starring in acclaimed director (and former junior high classmate) John Singleton’s Poetic Justice, along with rapper Tupac Shakur. Neither really hinted at the seductive, fully adult persona she unveiled with 1993’s janet., her Virgin debut. Jackson trumpeted her new image with a striking Rolling Stone cover photo — an uncropped version of the cover of janet. — in which her topless form was covered by a pair of hands belonging to Elizondo. Musically, Jam and Lewis set aside the synthesized funk of their first two albums with Jackson in favor of warm, inviting, gently undulating grooves. Jackson took credit for all the lyrics. The album’s lead single, the slinky “That’s the Way Love Goes,” became Jackson’s biggest hit ever, spending eight weeks at number one. It was followed by a predictably long parade of Top Ten hits — “If,” the number one ballad “Again,” “Because of You,” “Any Time, Any Place,” and “You Want This.” janet.’s debut showing at number one made it her third straight chart-topping album, and it went on to sell nearly seven million copies in the U.S.

Design of a Decade: 1986-1996 In 1995, Janet and Michael teamed up for the single “Scream,” which was supported by an elaborate, award-winning, space-age video that, upon completion, ranked as the most expensive music video ever made. The single debuted at number five on the Hot 100. In 1996, A&M issued a retrospective of her years at the label, Design of a Decade 1986-1996; it featured the Virgin hit “That’s the Way Love Goes” and a few new tracks, one of which, “Runaway,” became a Top Five hit. Jackson also signed a new contract with Virgin for a reported $80 million. Yet while working on her next album, Jackson reportedly suffered an emotional breakdown, or at least a severe bout with depression. She later raised eyebrows when she talked in interviews about the cleansing value of coffee enemas as part of her treatment. Her next album, The Velvet Rope, appeared in 1997 and was touted as her most personal and intimate work to date. The Velvet Rope sought to combine the sensuality of janet. with the more socially conscious parts of Rhythm Nation, mixing songs about issues like domestic abuse, AIDS, and homophobia with her most sexually explicit songs ever. Critical opinion on the album was divided; some applauded her ambition, while others found the record too bloated. The lead American single “Together Again,” an elegy for AIDS victims, was a number one hit. Also popular on the radio was “Got ‘Til It’s Gone,” which featured rapper Q-Tip and a sample of Joni Mitchell over a reggae beat. “I Get Lonely,” featuring Blackstreet, was another big hit, but on the whole, The Velvet Rope didn’t prove to be the blockbuster singles bonanza that its predecessors were, which was probably why its sales stalled at around three million copies.

Nutty Professor II: The Klumps Jackson toured the globe again in 1999, and with the Top Five Busta Rhymes duet “What’s It Gonna Be?!!” she lasted on the charts; her presence in the video recreated her as a glittery, artificially dressed, single-name diva. She made her film debut in Eddie Murphy’s comedy Nutty Professor II: The Klumps in 2000, and her soundtrack contribution, “Doesn’t Really Matter,” became a hit song. Jackson’s marriage to Elizondo had grown rocky, and the pair split in 2000, beginning a legal dispute over her musical earnings. In 2001, Jackson released All for You, a new album that essentially followed the sexual tone of Janet and The Velvet Rope. It opened at number one and went on to sell more than 600,000 copies in its first week. The album’s first song, “The Title,” swiftly rose to the top of the charts, and was shortly followed by another big success, “Someone to Call My Lover.”

Tropical Storm While Jackson spent the most of 2001 and 2002 touring in support of All for You, she also found time to make a few cameo appearances, most notably on Beenie Man’s Tropical Storm LP and Justin Timberlake’s Justified. By 2003, she was back in the studio, working on tunes for a new album with Jam and Lewis. Dallas Austin and Kanye West were among the other producers. The next year started with a leak of the cheery Austin production “Just a Little While” on the Internet. The singer’s crew went with the punches, providing the tune to radio as an approved digital download, but the excitement generated by this transaction paled in contrast to Jackson’s next escapade, which was a nightmarish combination of free exposure and negative press. Jackson sang “All for You” and “Rhythm Nation” at the Super Bowl XXXVIII halftime performance before bringing out surprise guest Timberlake for a duet on his song “Rock Your Body.” The true shock came towards the conclusion of the song, when a motion from Timberlake forced Jackson’s costume to split, revealing her right, pierced breast to hundreds of millions of people on live television.

Damita Jo The episode prompted heated backtracking and apologies from Timberlake, Jackson, the NFL, CBS, and MTV, all of whom claimed no prior knowledge of the so-called “wardrobe malfunction,” and sparked uncertainty about the reception of Damita Jo, Jackson’s next album and her first in three years. While the scandal caused Jackson embarrassment and provided him with some free publicity, it also sparked a national conversation about public obscenity. The FCC instituted stronger crackdowns on TV and radio shows carrying problematic material, and suddenly everyone from experts to politicians to the average Joe had an opinion on the subject. Later that month, the artist began discreetly appearing on chat shows. She was still apologizing for the event, but she was also promoting Damita Jo, which was released at the end of the month by Virgin Records. Despite being widely seen as a failure, the album went on to sell over two million copies worldwide and get three Grammy nominations. Two years later, 20 Y.O. was released, and while receiving better reviews than Damita Jo, it only lasted 15 weeks on the Billboard 200 album list. Jermaine Dupri, Jackson’s love interest and the album’s executive producer, was so dissatisfied with Virgin’s lack of support that he resigned as the company’s president of the urban division. Dupri and Jackson both relocated to Island. Despite another turbulent artist-label relationship, Jackson released her tenth studio album, Discipline, in 2008, which became her sixth to top the Billboard 200.

Tyler Perry's Why Did I Get Married Too? [Motion Picture Soundtrack] Although Jackson didn’t release another album for seven years, the longest gap in her discography was filled with professional activity and major life changes. During the filming of Why Did I Get Married Too?, she learned of her brother Michael’s death. Soon after, she and Dupri split, and she toured in support of Number Ones, a double-disc anthology promoted with the number one club hit “Make Me.” She took the lead role in the big-screen adaptation of For Colored Girls, published a book, and remained deeply connected to various causes as a philanthropist. In 2015, she returned on her own Rhythm Nation label with “No Sleeep,” a slow-jam Jam and Lewis collaboration that hit the R&B Top 20. It primed her audience for a tour, as well as her 11th studio album, Unbreakable — another number one hit. Plans for the tour were postponed so Jackson could focus on family; she wouldn’t return to the road until 2017.

She released the Top 40 smash song “Made for Now” in 2018, which featured Daddy Yankee.

Janet Jackson is an American singer, songwriter, dancer, and actress. She has been cited as the most successful female artist of all time by Billboard magazine. Her career began in the early 1980s when she signed with A&M Records. Her collaborations with record producer Jimmy Jam and her brother Marlon Jackson brought her to prominence in the music industry. Reference: janet jackson child.

Frequently Asked Questions

What is Janet Jackson known for?

A: Janet Jackson is known for her music. She has released many albums that have achieved worldwide success, and she is well-known in the United States as a symbol of American popular culture since the early 1980s.

How did Janet become famous?

A: Janet Jackson was born in the US but at a young age, her family moved to Canada.
On top of that I have no idea how she became famous.

What was Janet Jacksons first song?

A: Janet Jacksons first song was What Have You Done for Me Lately

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